Tetsuo Iron Man was the debut feature from the unpredictable Japanese director Shinya Tsukamoto. It's a foreign film, but it's not THAT kind of foreign film. As in, don't think you're going to be sitting there reading subtitles. There's really very little dialog in the film, and what's there isn't usually important. It plays something like a silent film, so definitely put it in your queue the next time you log into your movie download service, whether or not you're usually a fan of Japanese cinema.
The movie follows a typical Japanese salary man who, for no reason at all, starts to sprout pieces of scrap metal from his body. It starts when he's shaving and pieces of... Aluminum cans or something start growing from his face. It's very strange. Eventually, he grows into a living, breathing heap of junk metal, and it winds up being a great example of Cronenberg's body horror genre.
The concept behind the movie was to make something like a monster film with a human sized badguy. The end result is sort of the Japanese answer to both David Cronenberg, and David Lynch's Eraserhead. It's definitely a strange journey full of unforgettable images, for better or for worse. The movie might be right up your alley, or it may leaving you simply scratching your head, but it's not an experience you'll forget any time soon.
This is the movie people point to when they talk about Japanese cyberpunk, which has always been more focused on the imagery of industrial machinery, steam, sparks and electricity than on the relations between man and computers. If you want to see more of this genre, you should also check out Electric Dragon 80000v and Burst City, which are considered two classics in this genre.
The style of the movie is what really makes it special. It's fast, it's confusing, it looks like a nightmare with a stark black and white look. It really does feel more like a bad dream than it does like anything that could ever happen in real life.
Besides Eraserhead, the movie also draws a lot of inspiration from Cronenberg's Videodrome, starring James Woods. It uses some of the same recurring images of flickering television sets and grotesque horror sights. So, a warning, if that movie made you squeamish, this one will, too.
Tsukamoto has since created some of the greatest films to come out of Japan in the last few decades. In particular, Tokyo Fist is a real classic, and one of the greatest films ever made on the subject of the male ego and what can happen when a conflict is allowed to snowball with neither side backing down. It's really a great, deep look at what it means to be a man.
Tsukamoto is also an interesting actor, doing some bit parts for various Takashi Miike films. He also has another Tetsuo movie coming out, Tetsuo: Bulletman. It's clear that, while he's already been making movies for twenty years, he is nevertheless just now warming up. - 42634
The movie follows a typical Japanese salary man who, for no reason at all, starts to sprout pieces of scrap metal from his body. It starts when he's shaving and pieces of... Aluminum cans or something start growing from his face. It's very strange. Eventually, he grows into a living, breathing heap of junk metal, and it winds up being a great example of Cronenberg's body horror genre.
The concept behind the movie was to make something like a monster film with a human sized badguy. The end result is sort of the Japanese answer to both David Cronenberg, and David Lynch's Eraserhead. It's definitely a strange journey full of unforgettable images, for better or for worse. The movie might be right up your alley, or it may leaving you simply scratching your head, but it's not an experience you'll forget any time soon.
This is the movie people point to when they talk about Japanese cyberpunk, which has always been more focused on the imagery of industrial machinery, steam, sparks and electricity than on the relations between man and computers. If you want to see more of this genre, you should also check out Electric Dragon 80000v and Burst City, which are considered two classics in this genre.
The style of the movie is what really makes it special. It's fast, it's confusing, it looks like a nightmare with a stark black and white look. It really does feel more like a bad dream than it does like anything that could ever happen in real life.
Besides Eraserhead, the movie also draws a lot of inspiration from Cronenberg's Videodrome, starring James Woods. It uses some of the same recurring images of flickering television sets and grotesque horror sights. So, a warning, if that movie made you squeamish, this one will, too.
Tsukamoto has since created some of the greatest films to come out of Japan in the last few decades. In particular, Tokyo Fist is a real classic, and one of the greatest films ever made on the subject of the male ego and what can happen when a conflict is allowed to snowball with neither side backing down. It's really a great, deep look at what it means to be a man.
Tsukamoto is also an interesting actor, doing some bit parts for various Takashi Miike films. He also has another Tetsuo movie coming out, Tetsuo: Bulletman. It's clear that, while he's already been making movies for twenty years, he is nevertheless just now warming up. - 42634
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